Look at images, not megapixels.
This series of posts will be on getting serious (I hope) about fine-art printing. In the film days I didn’t bother developing and printing myself; first I didn’t have the space for a darkroom and then I was reluctant to deal with the chemicals. But more importantly, there were plenty of overnight development labs in town and professional print makers that had a certain affinity to art. Color rendition wasn’t really an issue to discuss over a 4×5 slide on a color corrected light table. And I had a lot of prints done, as they were the only way to enjoy images, except perhaps for 6×6 slide projections.