Tag Archives: Lens test

Review: Nikon 70-200 f/2.8 E FL ED VR

If you don’t want to read the rest, in short, the new Nikon 70-200 f/2.8 has found its way into my bag. The lens has been put through its paces during a recent trip to Antarctica, where it accounted for about 80% of all images. Built quality is on a par with the predecessor model, i.e., the now typical magnesium alloy and polycarbonate shell over a metal core construction. Micro contrast and edge-sharpness has improved visibly at all focal lengths and the focus breathing (change of magnification ratio) at close-focus distance has been minimised. I haven’t blown the trumpet for Nikon’s releases recently but here I can conclude with a highly recommended rating.

Because I mislike posting images bar any composition and subject value for mere lens testing, let’s start with some eye-candy from the Antarctic peninsula.

The 70-200 f/2.8 accounts for about 80% of my images taken in Antarctica. Here a stitch of three horizontal images resulting in file of about 52 MP. Then resized to 550 px on the narrow side. Click to enlarge for a 2400 x 2820 px image.

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Testing Lens Alignment

A year without new gear hasn’t been really successful. And although we have seen a lot of new equipment this year, there was nothing to merit a complete system change (to the Sony mirrorless or the Pentax 645, for example).

align1

My target for testing lens alignment. Almost a nice image in the autumn fog.

After the disappointing test of the Nikon 24-70 f/2.8 VR, I thus treated myself to a Zeiss Distagon T* 25 mm f/2.0. Great deals can be had on these “classic line” Zeiss lenses, because they will be replaced by the Milvus lenses. The Milvus 50 f/1.4 and 85 f/1.4 are new designs, while the others are basically avatars in an Otus gestalt.

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Hands on review: AF-S Nikkor 24-70 mm f/2.8E ED VR

I love my holy trinity of Nikon f/2.8 zoom lenses covering a total range of 14-200 mm focal length. The mid-range zoom AF-S 24-70 mm f/2.8G ED N (short G-version) has become my workhorse and go-to lens with its most versatile zoom range; from wide-angle landscapes and panoramas, to portraits and events. Not that it is lightweight, but the built quality is excellent, the out-of-focus areas are smooth, and there are very little chromatic aberrations along the entire zoom range and at all apertures. The lens snaps into focus instantly and silently and it never hunts, even in most challenging lighting conditions.

The public library in Stuttgart, Germany. All you need to test corner to corner sharpness, lateral and longitudinal chromatic aberrations, flat field, out-of-focus rendering, and geometric distortions

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