This series of posts will be on getting serious (I hope) about fine-art printing. In the film days I didn’t bother developing and printing myself; first I didn’t have the space for a darkroom and then I was reluctant to deal with the chemicals. But more importantly, there were plenty of overnight development labs in town and professional print makers that had a certain affinity to art. Color rendition wasn’t really an issue to discuss over a 4×5 slide on a color corrected light table. And I had a lot of prints done, as they were the only way to enjoy images, except perhaps for 6×6 slide projections.
- Enhancing Image Quality by Oversampling
- Photoessay: Iceland from Above
- Review: Fujifilm GFX 50S
- Printer Diaries: Preparing Images for Print
- Olympus OM-D Mk II and Fuji X-T2 versus Nikon D810: An unfair fight?
- Fine-Art Printing Diaries: Setting up
- The Photographer’s Guide to Cruising Antartica
- Neutral Density Filters
- Americans in Havana
- Review: Nikon 70-200 f/2.8 E FL ED VR
- An Engineer in Havana
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