Tag Archives: Cuba

Portraits of the Revolution

Portraits of the Revolution, 2016

The northern districts of Havana are an architectural treasure of colonial style, neoclassic, art deco, Spanish baroque, modernism and, surprisingly little brutalism. The 50 years of neglect have preserved Havana as a unique place without the architectural atrocities found so often in our modern cities. This architectural heritage, the abundance of American cars from the 1950s, and the life and character of its inhabitants make Havana one of the visually richest and photo-friendliest places to visit. At first sight, one has the impression that nothing ever changes; some of your images may have been shot last week or fifty years ago. But change happens, some of which I was, unintendedly, able to capture in a series of images.

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Two Photo Matrices

Baywatch. Miami Beach, Florida, USA. Click to enlarge.

This post is not about linear algebra in digital-image processing, written as matrix operations, but matrices of images of a similar subjects, texture, or color; a special type of conceptual photography.

Some genres of photography, such as macro, landscape, architecture, and sport are easy to identify. Portraits are more difficult to categorize, coming as head-shots or environmental portraits, candid or arranged, as part of the street photography genre or as studio work for commercial purposes.

Conceptual photography is an even more ambiguous concept. A photo is said to be conceptual if it is used to illustrate a specific idea, helps to communicate a message, and tells a story with a single image.

But Bernd and Hilla Becher are also ranked among the conceptual photographers. They are best known for their series or of images, for example, water towers, gas tanks, and blast furnaces, organized in arrays of 9 to 16 images. I have found this type of photography at the same time challenging and easy. Challenging, because it requires a family of objects that are sufficiently uniform to work as a series, and yet diverse enough to remain interesting. Easy, because each single image is not required to stand on its own, which in turn relaxes somewhat the need for composition and technical perfection, the latter simply because each of the images can be printed smaller.

The Bechers have said that they try to arrange shapes and render them comparable. To do so, the objects are isolated from their context and freed from all association. Consequently, their shooting style is based on strict procedural rules including a standardized format, frontal view, absence of human presence, and identical lighting.

Going not quite so far, what I denote as photo matrices has found its way into galleries and poster shops, for example, “Doors of Marrakesh” and “Cats of Santorini“. At a recent trip to Florida (USA) and Havana (Cuba) I could not resist. Now I just need to find some wall space and someone who tells me the brand and model of the cars. SR

 

Americans in Havana, La Habana, Cuba. Click to enlarge.

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Americans in Havana

1952 Dodge Coronet 4-door Sedan

I had been aware of the pre-revolution US cars in Havana. But what came as a surprise were the tens of thousands classic automobiles still in circulation, as collective taxis, rented out for weddings and quinceanera parties (when girls turn 15), or used as tourist transport. The majority of them are Chevrolet and Ford, but also Buick, Dodge, and a variety of vanished brands such as Packard, De Soto, Mercury, Plymouth, Pontiac, and Oldsmobile. With no access to original spare parts, these vehicles are often assemblies of adapted parts from Soviet cars and trucks, and fitted with Hyundai or Mercedes diesel engines.

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An Engineer in Havana

Portraits of the Revolution: Che Guevara, Fidel and Raul Castro, Camilo Cienfuegos, La Habana, Cuba

Havana has been for long on my bucket list. Havana’s heritage of architecture, the abundance of American cars from the 1950s (used as collective taxis or tourist transport), and the life and character of its inhabitants make Havana one of the visually richest and – still – photo-friendliest places to visit. The rich color palette of the buildings combined with the tropical sun yields an amazing quality of light.

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